Where does art stop and the person begin? Is the frame of the canvas the boundary? Is the wall, the room, the building the boundary? Is the audience the definitive edge and boundary condition between the artefact and the meaning or interpretation?
My problem is, and pretty much always has been, just how to introduce, articulate and successfully communicate new concepts of representation and comprehension when the paradigm and assumptive frameworks of conventional wisdom fight tooth and nail against novelty or deep (i.e. axiomatic) conceptual, methodological and theoretical innovation ?
Daedelus Kite 