Trompe-l’oeil is clever but, beyond immediate aesthetic effects and technical mastery, is really just the specific instance of a generalised principle of deception by which an artist fools our gullible brains into suspending their disbelief in the reality with which we are presented. The presence of a logical depth is in this way emphasised by […]
A logic of communication is stored in material artefacts and its expression and distributed embodiment in culture evolves over time.
There is darkness and there is light in every life.
The temporal linearity and arrow of time upon which progressive iterations of information or energy-processing depend, or at least that the procedural operations of which must reflexively imply, finds itself as the template from which all extension and logical depth emanate.