There is no one thing that art is or does and where we find this notion most powerfully and consequentially present is in those artefacts which successfully disassemble not only pictorial space, but through this – the perceiving mind itself.
The dissonance of difference serves useful purposes for the continuity of cultural sytems.
The art of Leonardo Vargas invokes the ghost of Francis Bacon’s disturbing vision but arguably finds itself arriving in an altogether different aesthetic solution to a representation of human identity and the psychological dissonance of individuation.
Where does art stop and the person begin? Is the frame of the canvas the boundary? Is the wall, the room, the building the boundary? Is the audience the definitive edge and boundary condition between the artefact and the meaning or interpretation?
Information encoding for message transmission is a function expressed in (and as) visual culture and which evolves over time.
Most of that which is “you” may not actually be you at all. What is original about you is the choices you make concerning the reconfiguration of preexisting things, concepts, objects, words, idioms and methods of self-expression.
At the 75th anniversary of the D-Day landings in Normandy, it is a good time to reflect upon where we are all going as a civilisation and what we might plausibly achieve to inhibit, interdict or halt the possibility of any similar global catastrophes from ever occurring again.
For a Universe to have spontaneously emerged from nothing may be an alternate view on the the same fact as that it has always existed. It is not the logic which fails so much as the implicit (or apparent) boundaries of our own minds.
The underlying momentum of evolving material logics, symmetries and information systems seem already oriented towards incurring dissonance, difference and entropy as an autonomous method through which their own accelerated logical metamorphosis self-propagates.
An epigenetic self-replication of the spiritual void, manifest as cultural entities in the contemporary Chinese art of Mi Qiaoming.
In this painting of the “human Barbie doll”, Swiss artist Stefania Pinsone reflects the self-conscious self-replication of culture, self and art itself. The painting is titled “Valeria Lukyanova (white noise)”.
Do we make our own luck or does luck and the blind power of statistical necessity make us?
Daedelus Kite 